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Kim wrote a text score for One Week of Lullabies for Roux, guiding seven friends (who are also parents) as they composed original soothing soundtracks for coaxing her own newborn, Roux, to sleep.

She uses scores, graphical notation and text, and performance and media installations to explore how she and the larger Deaf community establish their own relationships to the world of sound. Through her art, Kim encourages audiences to attend to the links between music and meaning, sound and other senses, perception and interpretation, and various modes of communication. Content alerts, a yellow triangle with a black exclamation point, are in the second gallery from the top left, the work on the outside wall of that gallery, the top gallery furthest to the right, and the work outside the bottom right gallery. The light reflective tinsel surrounding the dance floor on three sides is also indicated through striped lines. The interactive artworks are labeled dark orange, specifically a bench with headphones on it and a square dance floor with a haptic T-shaped walkway. Along the entrance walkway (indicated with an arrow) to the right, the intro text, elevators, and bathrooms are labeled. The artwork in each gallery is coded light purple. The seat furthest to the right in each gallery, except the first gallery on the bottom right, has a sound-wave haptic symbol and blue light halo to indicate vibrational seating. In each room are orange rectangles to signal seating.

Across the top are four rectangular rooms shaded dark gray to signal “low light / loud sound.” There is also a similar room in the bottom right.

Walkways are shaded light gray and are coded as “well lit / some sound” in the sensory key. Overhead architectural style view of the rectangular exhibition space.

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